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Automatische Gesichtserkennung ist allgegenwärtig – mit einschneidenden Folgen für unser Verhältnis zum »privaten« Bild
vintage furniture and a selection of exclusive homeware articles
as well as image makers of younger generations including Roe Ethridge
Afterwards you can enjoy coastal roads à la carte before crossing the island again in the direction of Palermo
with a resolute desire to show our resilience
Laissez-Faire illustration Automatische Gesichtserkennung ist allgegenwärtig –Alienation is often found at the heart of Italian photographer Cristiano Volks work, wherein the human experience is always central. Described by Volk as a single, neon hued hallucination, Laissez Faire is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses