Alan Miller | Okarito Beach, Westland, 2001 Framing:Framed Using the same clay and

Using the same clay and glaze in the same firing cycle can produce completely different results

with works that have been exhibited globally in institutions such as MoMA

not suitable for children under 3 years

or to share in piecing together the Self-Portrait of the Dutch master

and painting and serve as social commentaries on race

Alan Miller | Okarito Beach, Westland, 2001 Framing:Framed Using the same clay andAbout Alan Miller For more than thirty years Alan Miller has been hand printing compelling silver gelatin photographs, travelling extensively and capturing images as he sees them. Miller's calculated, methodical approach to image making is driven by the fundamental belief that the camera enables him to capture something that is of essence. This is demonstrable in the almost spiritual way in which he captures light, be it on water, through mist or fog,