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It's constantly moving
Across the U
and ended in 1975 after three years of intense experimentation
Fischli & Weiss
taste and value – foregrounding the role of language in these
Nathanael: Pasolini's Our homeware It's constantly movingNightboat, 2018, softcover, 80 pages, 20 x 15 cm The body of the filmmaker is itself a discrepancy. This may be one of this books claims, if it were to advance something like an argument. Instead it writes its way through to a dry swamp, in the elusive company of Pier Paolo Pasolini, Mizoguchi Kenji, and the albatross, evincing procedures of extinction that owe something to both translation and photography. Its armament, approximating the latent
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