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London (2004)
Wielebinski uses sports as an entry point to discuss gender
feeling disgruntled at the parasitic nature of fandom
the bedevilments of a gay bitch on the pole
or alternately into advertisements for themselves
Noah Ross: Active Reception Gary Hume London (2004)Nightboat Books, 2021, Softcover, 88 pages, 23 18 cm Active Reception is a corporeal tapestry, a verso clench of membrane. Figuring the asshole not as absence or empty voicelessness, but as a form of the bodys narrative capability, Ross articulates gossip, disease, joy and dissolution in mucal blossom, snapped taut by typewriter ribbon. For him, the void is affective trap as much as it is a path of material discernmenta space where balances of labor,