segregation and inequality are vectors that draw the world and refuse to die
suggesting that in the primacy of the practice lies the context for drawing as a successful collaborative process
In the years that followed its appearance
or perhaps it’s not for any reason
in which a touch of becomes the center of an investigation towards pressure
No No No No Good Club Decolonization segregation and inequality are vectorsIf one says living is a disaster, all we can do is barely make it through one day after another. Apart from that, we dig hard into the gaps over the layers of patches of reality to find whats left that could make us happy for a beat. No No No No Good Club collects those crumbs seem delightful or unpleasant, theyre photographs of malls, strangers, wedding banquets, walking dogs in parks, party held spontaneously by the shore, abandoned houses,