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Photo-Secession: Stieglitz and the Fine-Art Movement in Photography (originally published by the George Eastman House in 1960 and widely distributed via expanded Dover editions) is an essential
"Adaptation and Interaction: The Cultural Definitions of Space" (a field study of American male migrants)
Recurring motifs include human hands morphing into tree roots
He believed the brutal
shifting the focus from the spectacular to the topographical
Stieglitz, Alfred. Stieglitz and the Photo-Secession. Pictorialism to Modernism 1902-1917. January 14-March 26, 1978. Untitled (Friends of Photography) Photo-Secession: Stieglitz and the Fine-ArtNew Jersey State Museum, 1978. Curated and with text by Helen Gee. Wraps, 54 pages, 31 illustrations. Includes checklist and bibliography. Photographers illustrated include J. Craig Annan, Alice Boughton, Annie Brigman, John G. Bullock, Alvin Langdon Coburn, George Davison, Robert Demachy, Baron De Meyer, Frank Eugene, Frederick H. Evans, Gertrude Kasebier, Joseph T. Keiley, Heinrich Kuehn, Charles Puyo, George H. Seeley, Edward Steichen, Alfred