Aperture, Vol. 16. No 2 (16:2), 1971. Fred Sommer, Nathan Lyons, Emmet Gowin, Aaron Siskind, et al. Aperture Magazine critical of their own work

critical of their own work

and iconological interpretation (exploring deeper

Humanizing the Monolithic City: Visually

proving that a photograph can be both a work of art and a catalyst for legislative change

Akira Kawasaki

Aperture, Vol. 16. No 2 (16:2), 1971. Fred Sommer, Nathan Lyons, Emmet Gowin, Aaron Siskind, et al. Aperture Magazine critical of their own workIncludes Frederick Sommer, An Extemporaneous Talk at the Art Institute of Chicago; Nathan Lyons, "Notations in Passing"; Emmet Gowin; Aaron Siskind; Doris Ullman, et al. Good with circular indentations on cover, interior fine. Summary: Aperture Vol. 16, No. 2 (1971) is a high water mark for the magazines "Minor White era," focusing heavily on the philosophical and poetic dimensions of the photographic image. This issue moves away from literal