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It shifted the focus away from the "decisive moment" of street photography (like that of Cartier-Bresson) toward a "calculated moment
and gelatin silver formats—focusing on his avant-garde
A defining element of the work is Hickman's integration of early computer programming with digital art
Bleiler's Introduction dated 1958
Michael Brodsky
Callahan, Harry. "Harry Callahan: An Interview" by A.D. Coleman in New York Photographer, Issue 4, January 1972, pages 3-6. Signed Copy It shifted the focus awayCallahan talked about himself, his work, other photographers, his Rhode Island School of Design faculty colleague Aaron Siskind, and teaching. Entire issue, 18 pages, also includes survey of galleries; calendars of exhibits, classes, and workshops; reviews of shows by Edward Curtis, Roman Vishniac, Brassai, etc. Cover photo by Edward Curtis. Scarce magazine in the early years of the emerging New York photography scene of the 1970s. Good with signs of
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