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The catalog’s title reflects the shared approach of both artists: using abstraction—not as a way to hide identity
and architectural forms with surgical precision
Released to coincide with a massive retrospective exhibition curated by John Szarkowski
Sequential Logic: Unlike a standard photo book where each page is a standalone image
no dust jacket
Abstract Identities (Patti Ambrogi and Willie Middlebrook). Untitled (Friends of Photography) The catalog’s title reflects theCatalog for exhibit, January 12 March 15, 1993. Robert B. Menschel Photography Gallery No. 31. Syracuse University, Syracuse, N. Y., 1993. 20 pages, 14 illustrations (12 color). Essay by Amy Hufnagel. Includes selected works from Black photographer Middlebrook's series "Portraits of My People: Black Male Love Song." Fine. Summary: Abstract Identities, published in 1993 by the Light Work Robert B. Menschel Photography Gallery, is a significant
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