Do Not Say We Have Nothing as the two women's fates--and

as the two women's fates--and their hunger for self-determination in vastly different geographies and times--collide

It's the mighty GARBAGE CREW

Nebraska is arguably Springsteen's most important record--the lasting clue to understanding not just his career as an artist and the vision behind it

The House of Mirth reveals Wharton's unparalleled gifts as a storyteller and her clear-eyed observations of the savagery beneath the well-bred surface of high society

braided into the overall narrative

Do Not Say We Have Nothing as the two women's fates--and"In a single year, my father left us twice. The first time, to end his marriage, and the second, when he took his own life. I was ten years old." Master storyteller Madeleine Thien takes us inside an extended family in China, showing us the lives of two successive generations those who lived through Mao's Cultural Revolution and their children, who became the students protesting in Tiananmen Square. At the center of this epic story are two young