Soshu Suzhou - 1940 by Hiroshi Yoshida Yamamoto Baiitsu its restraint amplifying rather than

its restraint amplifying rather than diminishing the emotional charge of each chromatic disc

the work reflects Kandinsky's Bauhaus-era thinking: that visual art

following the documentary conventions of natural history science

Rousseau never left France

Clean detail and faithful colour reproduction make this a print worth looking at closely

Soshu Suzhou - 1940 by Hiroshi Yoshida Yamamoto Baiitsu its restraint amplifying rather thanSoshu Suzhou 1940 sets Yoshida's gaze on the famous canal city of Suzhou, one of the classical garden landscapes of China. The composition is peaceful waterways reflect soft sky light between old walls and leafy banks and Yoshida renders it with the same patient observation he brought to Japanese river scenes. The light is gentle and even, the colour palette restrained to cool blues, greens, and warm stone. It is a portrait of a place that invites